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Publications
(2011) The Metapiano: composing and improvising with sculpture Proceedings of International Symposium for Electronic Arts, Istanbul, 2011 (2011) Sculpture as music interface Proceedings of the International Computer Music Conference, University of Huddersfield, 2011 (ISBN: 978-0-9845274-0-3) (2011) A principled approach to developing new languages for live coding Samuel Aaron, Alan F. Blackwell, Richard Hoadley and Tim Regan, Proceedings of NIME (New Interfaces for Musical Expression), Oslo, 2011 (ISBN: 978-82-991841-7-5) (2010) Form and function: examples of music interface design Proceedings of the HCI2010 Conference, Dundee 2010 (2010) Implementation and development of sculptural interfaces for digital performance of Music through Embodied Expression Proceedings of the Electronic Visualisation and the Arts Conference, London 2010 (IBSN: 978-1-906124-65-6) (2010) Implementation and development of interfaces for music performance through analysis of improvised dance movements Proceedings of the 128th Audio Engineering Society Convention, London, 2010 (ISBN: 978-0-937803-74-5) (2002) Music and technocracy in Diversity or Anarchy?: Papers from the 31st Annual Manchester Broadcasting Symposium (Current Debates in Broadcasting) University of Luton Press, December 2002 (ISBN: 978-1-860205-91-0)
Papers and Presentations
(2012) Touching Sound: technologies for mediated interaction in music therapy Sam Aaron, Ian Cross, Satinder Gill, Tommi Himberg, Richard Hoadley, Helen Odell-Miller, Rob Toulson 7th Nordic Music Therapy Congress University of Jyväskylä, Finland, June 13-17 (2012) Notating Algorithms Symposium for Performance of Electronic and Experimental Music (SPEEC) University of Oxford, January 6-7 (2011) Real-time generation of music notation using algorithms and physical movement DMRN+6: Digital Music Research Network One-day Workshop 2011 Queen Mary University of London, Tuesday 20th December (2011) Analysis of algorithmic music generated through physical embodiment Seventh International Conference on Music Since 1900/International Conference of the Society for Music Analysis University of Lancaster, July (2011) Music, movement and magic Audio Engineering Society, Cambridge, 31st March, ARU (2010) Intimate physical control of musically expressive algorithms with Satinder Gill, DMRN+5: Digital Music Research Network One-day Workshop 2010 Queen Mary, University of London, Tuesday 21st Dec 2010 (2010) Music technology now: instruments and algorithms with Tom Hall, Cambridge Festival of Ideas, Cambridge, October 24th (2010) Implementation and development of interfaces for music performance through analysis of improvised dance movements SuperCollider Symposium, Berlin, September 23rd-26th (2010) Towards embodied control of algorithmic music with Tom Hall, Music and Numbers Conference, Department of Music Canterbury Christ Church University, 14 - 15 May (Abstract published in ISBN 978-1-899253-76-0) (2010) Gaggle and Digital Performance Laboratory Presentation for Microsoft Research Cambridge, Computer Mediated Living Group, 11th January (2009) The development of music interfaces through improvised dance movement Paper presented at Collaborative Processes in Music Making: Pedagogy and Practice, University of Surrey, 11th November (2008) Performing computer music: a time and motion study Invited paper presented at Time in Media Arts: A Symposium on Film, Video, Sound and Movement, Anglia Ruskin University, 28th November (2007) Judge Proulx's ruling Invited paper presented at The Sight of Sound: Inter-media Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University, 30th November (2001) Is music real? Paper presented at the Joint Universities Music Colloquia, Anglia Ruskin University, 26th February (2001) Music and technocracy Paper presented at the 31st Annual Manchester Broadcasting Symposium (Current Debates in Broadcasting), University of Manchester, May (2000) Computer technology and musical expression Paper presented at the Mumford Theatre, Anglia Ruskin University as part of the Joint Universities Music Colloquia, November 2000 Paper presented at the University of Birmingham Conference, 'Art Music in the Twentieth Century', November (2000) Metaphor, memes and the cartesian music-hall Paper presented at the APU Research Conference, June (2000) Metaform and metaforming Paper presented at the Joint Universities Music Colloquia, Anglia Ruskin University, Nov 2000, and at the APU Conference, 'Form and Forming', April (2000) Music technology and musical expression Paper presented at the Anglia Ruskin University Research Lecture Series, February (1999) pSY and The Copenhagen Interpretation Paper presented at the Anglia Ruskin University Research Lecture Series, July (1991) Choice and Chance: randomness and recursion in music RMA Research Conference, APU, June
| Performing Computer Music: a Time and Motion Study - Invited paper delivered at Time in Media Arts: A Symposium on Film, Video, Sound and Movement , 28th November 2008 | - | info |
| Performance Interface Workshop - with Andrew Sparling, Clarinet, 22nd February 2008 | - | info |
| Judge Proulx's Ruling - Invited paper delivered at The Sight of Sound: Inter-media, 30th November 2007, Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University | - | info |
| Collaborative Performance Technology Workshop - December 20-21st 2006, Workshop Leader, Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University | - | info |
| The Sound Archive of the Library of Babel Under development | - | text • abstract • software |
| Is Music Real? Delivered at the Mumford Theatre, APU, 26th February 2001 as part of the Joint Universities Music Colloquia | - | text • abstract |
| Music and Technocracy - Delivered at the University of Manchester International Broadcasting Symposium, May 2001 | - | text • abstract |
| Why do we Sing? - Under development | - | text • abstract |
| Evolution, Computers and the Musically Beautiful: Reframing the Musical Aesthetic. - Under development | - | text • abstract |
| Computer Technology and Musical Expression Given at the Mumford Theatre, APU, Nov 2000 as part of the Joint Universities Music Colloquia, and at the University of Birmingham Conference, 'Art Music in the Twentieth Century', Nov 2000 | - | text • abstract • rtf.zip |
| Metaphor, Memes and the Cartesian Music-Hall Given at the APU Staff Research Conference, June 2000 | - | text • abstract • rtf.zip • relevant quotes |
| Metaform and Metaforming Given at the Mumford Theatre, Anglia Ruskin University, Nov 2000 as part of the Joint Universities Music Colloquia, and at the APU Conference, 'Form and Forming', April 2000 | - | text • abstract • rtf.zip • relevant quotes |
| Music Technology and Musical ExpressionGiven as part of the Anglia Ruskin University Staff and Postgraduate Lecture Series, Feb 2000 | - | text • abstract • rtf.zip |
| pSY and The Copenhagen Interpretation Given (in part) as part of the Anglia Ruskin University Staff and Postgraduate Lecture Series, July 1999 | - | text • abstract |
| The Fabric of Music | - | |
| How Real is Music? | - | |
| pSY, Copenhagen and the Perception of Music June 1999 | - | text |
| The Future of Computing in Music Education | - | text • abstract |
| PhD Commentary | - | introduction |
| Choice and Chance | - | text • abstract and index |
| Ideas | - | restricted access |
| Quotes | - | - |
| 3000 Years | - | text |
| Poetry | - | restricted access |
| Sometimes Now | - | text - restricted access |
| This is it | - | text - restricted access |
| Chief Seathl | - | text |